Filipino Represent - Response
In the article “Filipinos Represent” by Antonio T. Tiongson Jr, addresses the legitimacy of Filipino DJing. As the growth of the hip hop culture overtime, many adolescents see the hip hop culture as universal but some racial discrimination still exist. Hip hop started “out as a black phenomenon” (Tiongson), but was quickly adapted throughout the world, especially in America.
In the article “Filipinos Represent” by Antonio T. Tiongson Jr, addresses the legitimacy of Filipino DJing. As the growth of the hip hop culture overtime, many adolescents see the hip hop culture as universal but some racial discrimination still exist. Hip hop started “out as a black phenomenon” (Tiongson), but was quickly adapted throughout the world, especially in America.
I
do agree that hip hop is considered a “black phenomenon” and many modern music
has adapted this phenomenon. I am a hip hop enthusiast myself, my music ranges
from Korean, Chinese, and American rap. Although they have feel of rap, essentially,
they all have very different styles, of course language, instruments, and of
course lyrics. I do believe real hip hop artist acknowledge the hip hop origin
and respect its roots, and have made their art work as their own with a taste
of their culture. “Ever since we started, race didn’t matter. As soon as it
does matter, there’s something wrong” (Tiongson), art shouldn’t belong to one
race, as it "should be appreciated by anyone" (Tiongson).
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