4/11 Journal Post - Filipinos DJs in Relaltion to Culture and Establishing Authenticity

In "Filipinos Represent", Tiongson Jr. delineates the several ways Filipino DJs attempt to establish their legitimacy to hip-hop and DJing culture. DJing is an important sourse of validation and identity and serves as a space for the youth, however the strategic refusal to racialize it lends itself to the colorblind discourse. Tiongson critiques the use of the transcendent appeal of hiphop as support of authentication. The deracinated context undermines the historic struggles and circumstances African Americans underwent that produced hip-hop culture in the first place. Hip-hop was a created as a form of healing and resistance. It was a subculture particular to the African American community. However, it transformed into "popular culture" as the mass continued to adopt it throughout the century.

Many Filipino DJs attempt to erase their ethnic identity from their work, but many Filipino Americans are passionate about "pinoy pride". How does the youth use these DJs as a form of Filipino visibility and representation in the media, but the DJs themselves want to disclose their race? How did this contradication come to be?

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